The concert was recorded at the historic Vienna Opera House July 2012 during a very special two-week long unplugged tour, played to a limited audience over seven exclusive European shows. Varying from Bonamassa’s predominantly electric blues shows, this presentation was an all-acoustic concert performance, making it a unique and very special show fans had been waiting years to experience.
The Opera House in Vienna, regarded as the “City of Music,” was chosen for the main event because of its history and splendour, and association with many legendary composers. Accompanying Bonamassa on the same stage once graced by Mozart, Beethoven, Schubert, Brahms, Mahler, and Haydn are traditional Irish fiddler Gerry O’Connor, who also plays mandolin and banjo; Swedish multi-instrumentalist Mats Wester on the nyckelharpa, a keyed fiddle; Los Angeles-based keyboardist Arlan Schierbaum texturing the mix with celeste, accordions, toy pianos, and assorted “organic” instruments; and renowned Puerto Rican percussionist Lenny Castro.
Joe recalls, “Originally, when I had the idea of doing an all-acoustic concert, I imagined doing it solo. I’d surround myself with a bunch of guitars, tell the background story of each song, and then play it. Kevin believed the show would be more exciting with a band and he got to work. All of a sudden, we had a five-piece group, and 72 hours to rehearse 20 or so songs. It was amazing, different than anything I’d ever done before.”
An Acoustic Evening at the Vienna Opera House features gorgeously textured music made with a wealth of rare, vintage, organic, and “oddball” instruments. Highlights among the 22 songs include “Woke Up Dreaming”—the one acoustic song, and fan favourite, that Bonamassa regularly plays during his electric shows— as well as “Around The Bend,” “Driving Towards The Daylight,” “Ball Peen Hammer,” and “Sloe Gin.”
The show is produced by Kevin Shirley, whose productions have been at the top of the charts for decades, including works from Led Zeppelin and Iron Maiden to Beth Hart and John Hiatt.
“To say this was a challenge is an understatement,” said Bonamassa. “To say this was a departure from anything I had ever done before is an even bigger understatement. I can say with full certainty that it was the most enjoyable tour I have ever done. On this tour I really learned the virtues of my singing lessons over the years. Take away those long guitar solos, all that sustain and that big Gibson sound and what is left leaves you no option but to dig deep and sing until you can't sing anymore.”
Hampered by ill health, but never ones to retire shyly, The Who continue celebrating their 50th anniversary as they contemplate retirement.
Guitar Planet grades the creative comebacks from three iconic artists who are attempting to give 2015 a much-needed injection of impetus.
Guitar Planet takes on new albums by southern stars Blackberry Smoke, nu-metal icons Papa Roach and the legendary Venom.
The music industry’s glamorous state of the union address was delivered this weekend, but what did the Grammys have to say about guitar music?
Enter Shikari renew their archly political assault while expanding their sonic horizons on The Mindsweep.